My Octopus Teacher (Pippa Ehrlich & James Reed, 2020) Review

Spoiler Warning: This discussion features some important narrative information that could spoil the text for you. It does not necessarily spell out the film’s conclusion, but it does talk about events in detail.

Rating: 3.5 out of 5.
"What she taught me was to feel that you're part of this place, not a visitor."

My Octopus Teacher, the frontrunner for tonights Oscars ceremony, is a film that has been on my radar all year. It’s been recommended a couple of times, and I finally pulled the trigger. There’s plenty to love here and more than enough visual beauty to entertain the eyes, but there’s something that doesn’t quite sit right for me.

It is virtually impossible to talk about My Octopus Teacher without talking about its narrator and guide through the course of the documentary, Craig Foster. Foster is intricately linked into the story after developing an intimate bond with an octopus in his frequent visits into the seas of South Africa. His commentary can become a little overbearing, and by the end, seems to overtake the text when what is the most inviting part of the entire text is actually the octopus. Indeed, his own description of the relationship is exactly that: a relationship. It feels as though Foster has fallen for the creature, with much of his narration sounding like the final declaration of love in a romantic comedy. However, it also creeps into that slightly outdated model of creepily stalking the romantic lead, even when it is not their place to do so.

In other ways, it is charming. It adds a nice personal touch to something like Blue Planet with David Attenborough’s more enthusiastic commentary on the prey-predator complex. In this film, whenever Foster’s friendly octopus is in danger, it is like his companion or friend is in direct danger. It’s a very strange, but by all means, invigorating process to witness. The ‘action’, or more accurately horror, sequences where the octopus is chased by sharks are effective because of the simple construction of the octopus as a character. It’s why the final act is horrendously upsetting and really elevates this text beyond a documentary about how octopuses hunt, evade predators and mate.

My Octopus Teacher is an emotional doc. It has a precise personal touch, one that I have never seen in an animal doc. The footage captured is remarkable throughout. The handheld material works to exaggerate its personal touch, makes moments that are one in 500 days feel authentic and candid. The more picturesque approach to the wider shots is gorgeous, with images that could hang on your walls. It’s just a shame Foster is so involved and pushes the final moments onto himself.


The Imitation Game (Morten Tyldum, 2014) Review

Spoiler Warning: This discussion features some important narrative information that could spoil the text for you. It does not necessarily spell out the film’s conclusion, but it does talk about events in detail.

Rating: 3 out of 5.
"When people talk to each other, they never say what they mean."

Alan Turing biopic, The Imitation Game was at the centre of the 2015 awards scene and remained one of few from that year I had yet to see. Turing is blessing the £50 note soon in the UK, and I’ve always wanted to give this a chance. Cumberbatch also is an actor that I have never truly aligned with, not ever taking a shining to Sherlock, nor seeing much of his dramatic work until now.

I’ll start out with the positives because there is plenty to like about The Imitation Game. Firstly, Cumberbatch is excellent. His gentle performance is what the text needed; he gets the nuances right, he gets the sorrowing moments spot on. Keira Knightley is neat in her supporting role, overshadowing the likes of Matthew Goode, Charles Dance, and Mark Strong, who all put a good shift in. The production design is strong, the screenplay shines in places, but all of it somewhat muted by the film’s shortcomings.

Perhaps the most notable flaw is the direction which is flat as a board. There’s no intensity to it, no passion, or sense of urgency. This needed so much more because whilst Turing and his team struggle to crack the Enigma code, it’s never highlighted enough textually just how damaging each minute is. The film substitutes real narrative punch for lazy, drawn-out visual metaphors that never truly get the point across. It does not help that the film gets lost in its aims. The text really struggles to focus on either Alan Turing: the man who solved the Enigma Code, or Alan Turing: the man chemically castrated and disgraced by his own government for his homosexuality. This somehow manages to be both of those stories and neither of them at the same time.

In the end, what happens is that the Enigma Code mystery is solved without much of a narrative climax and Turing’s personal relationships never get enough time to get his tragic tale across. It feels baity, designed for awards season to drive the voting bodies towards a text that celebrates a gay war hero in a time where there we no gay war heroes. It is a real shame, though, because there’s an incredible movie amongst all of this, and I’m not going to validate this film for simply sitting on the right side of a frankly shameful part of British history.

However, I also refuse to sit here and say that The Imitation Game is a poorly made film because it’s not. It’s just a completely wasted opportunity for something so much more. The story of Alan Turing really could have made for a thrilling time-based mystery with huge suspense. This never reaches those heights, stumbling in its visual construction, pacing and thematic focus. The same plot with a stronger director and a more convincing screenplay could really have made this the masterpiece it deserved to be.